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The Room

The Room

Horror · Drama · Mystery · 2019

Kate and Matt discover that a part of their house can grant wishes. In the wake of two miscarriages, what they want most is a child.

Movie details

The Room

2019 Horror · Drama · Mystery 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Kate and Matt discover that a part of their house can grant wishes. In the wake of two miscarriages, what they want most is a child.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Room?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A supernatural love story that centers on two parents whose life together falls apart after their son dies. The man, now a successful lawyer, and the woman, now married and an author, get a chance at reconciliation ten years later.

Before I Wake

Before I Wake

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An orphaned child's dreams—and nightmares—manifest physically as he sleeps.

Black Christmas

Black Christmas

Horror · 1974

As the residents of the Pi Kappa Sigma sorority house prepare for the festive season, a stranger begins to harass them with a series of obscene phone calls.

Presence

Presence

Horror · 2025

A couple and their children move into a seemingly normal suburban home. When strange events occur, they begin to believe there is something else in the house with them. The presence is about to disrupt their lives in unimaginable ways.

Don't Let Go

Don't Let Go

Horror · 2019

A detective suffering from a personal loss receives a call from his recently deceased niece. Being able to communicate across time, the two work together to try and stop the crime before it occurs.

Good Boy

Good Boy

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Tommy, a volatile 19-year-old, revels in drugs, parties and violence. After getting separated from his friends on a drunken bender, he is abducted by a shadowy figure. He wakes to find himself imprisoned in the basement of a remote Yorkshire house, inhabited by a very strange family. But what unfolds is not what he could possibly expect.

Amelia’s Children

Amelia’s Children

Horror · 2024

When Edward’s search for his biological family leads him and his girlfriend Ryley to a magnificent villa high in the mountains of Northern Portugal, he is full of excitement at meeting his long-lost mother and twin brother. Finally, he will discover who he is and where he comes from. But nothing is as it seems, and Edward will soon learn that he is linked to them by a monstrous secret.

I See You

I See You

Horror · 2019

When a 12-year-old boy goes missing at a local park, a detective investigates the case to help the boy's family find answers.

Black Moon

Black Moon

Fantasy · 1975

There is a global gender war between men and women. A teenage girl tries to escape this reality and arrives at a hidden place where a strange unicorn lives with a family: sister, brother, many children and an old, bedridden woman who stays in contact with the world through her radio.

Where it lives

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Names above the title

The people responsible.

Directed by

Christian Volckman

Written by

Christian Volckman · Éric Forestier

Olga Kurylenko

Olga Kurylenko

Kate

Kevin Janssens

Kevin Janssens

Matt

Francis Chapman

Francis Chapman

Shane

Joshua Wilson

Joshua Wilson

Shane (Age 8)

John Flanders

John Flanders

John Doe

Carole Weyers

Carole Weyers

Madeline Shaeffer

M

Michaël Kahya

M. Schaeffer

Court is in session

Put The Room on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.