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The Other

The Other

Drama · Horror · Mystery · 1972

A series of gruesome accidents plague a small American farming community in the summer of 1935, encircling two identical twin brothers and their family.

Movie details

The Other

“Niles and Holland are as close as twin brothers can be. Appearances can be deceiving... and deadly.”

1972 Drama · Horror · Mystery 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

A series of gruesome accidents plague a small American farming community in the summer of 1935, encircling two identical twin brothers and their family.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Other?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Oddity

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After the brutal murder of her twin sister, Darcy goes after those responsible by using haunted items as her tools for revenge.

The Clovehitch Killer

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Presence

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Hold Your Breath

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A woman grieving over the death of her daughter loses grip of reality when she begins to think her girl may still be alive.

What We Hide

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After their mother suffers a fatal overdose, two sisters fear being separated by the foster system and decide to hide her body. But when their lie risks being exposed, they must decide how far they’re willing to go to keep their secret.

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Names above the title

The people responsible.

Directed by

Robert Mulligan

Written by

Tom Tryon

Uta Hagen

Uta Hagen

Ada

Diana Muldaur

Diana Muldaur

Alexandra

C

Chris Udvarnoky

Niles Perry

M

Martin Udvarnoky

Holland Perry

Norma Connolly

Norma Connolly

Aunt Vee

Victor French

Victor French

Angelini

L

Loretta Leversee

Winnie

Court is in session

Put The Other on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.