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Baby Blues

Baby Blues

Drama · Horror · Thriller · 2008

On a secluded family farm, a mother suffers a psychotic break due to postpartum depression, forcing the eldest son to protect his sibling from the mother they have always known and loved.

Movie details

Baby Blues

“The cradle will fall”

2008 Drama · Horror · Thriller 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

On a secluded family farm, a mother suffers a psychotic break due to postpartum depression, forcing the eldest son to protect his sibling from the mother they have always known and loved.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Baby Blues?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Last House on the Left

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Suburbicon

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In the quiet family town of Suburbicon during the 1950s, the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people. When a home invasion turns deadly, a picture-perfect family turns to blackmail, revenge and murder.

Where it lives

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Names above the title

The people responsible.

Directed by

Lars Jacobson · Amardeep Kaleka

Written by

Lars Jacobson

Colleen Porch

Colleen Porch

Mom

A

Aiden Kersh

Baby Nathan

Ridge Canipe

Ridge Canipe

Jimmy

S

Sean Johnson

Jake

H

Holden Thomas Maynard

Sammy

K

Kali Majors

Cathy

Joel Bryant

Joel Bryant

Dad

Court is in session

Put Baby Blues on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.