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Night of the Hunted

Night of the Hunted

Horror · Mystery · Thriller · 2023

When an unsuspecting woman stops at a remote gas station in the dead of night, she's made the plaything of a sociopath sniper with a secret vendetta. To survive, she must not only dodge his bullets and fight for her life, but also figure out who wants her dead and why.

Movie details

Night of the Hunted

“Everyone is a target.”

2023 Horror · Mystery · Thriller 1h 35m

Critical arithmetic

The consensus, allegedly.

IMDb

5.2 / 10

4.9K votes

Rotten Tomatoes

64 %

Tomatometer

TMDB

6.0 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

When an unsuspecting woman stops at a remote gas station in the dead of night, she's made the plaything of a sociopath sniper with a secret vendetta. To survive, she must not only dodge his bullets and fight for her life, but also figure out who wants her dead and why.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Night of the Hunted?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Franck Khalfoun

Written by

Glen Freyer · Franck Khalfoun

Camille Rowe

Camille Rowe

Alice

A

Aleksandar Popovic

Erik

J

J. John Bieler

Doug

Jeremy Scippio

Jeremy Scippio

John

Brian Breiter

Brian Breiter

Bob

M

Monaia Abdelrahim

Cindy

I

Isaiah Reyes

Eddie

Court is in session

Put Night of the Hunted on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.