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Intruders

Intruders

Drama · Thriller · Horror · 2015

Anna suffers from agoraphobia so crippling that when a trio of criminals break into her house, she cannot bring herself to flee. But what the intruders don't realize is that agoraphobia is not her only psychosis.

Movie details

Intruders

“They Should Have Left Her Alone”

2015 Drama · Thriller · Horror 1h 30m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Anna suffers from agoraphobia so crippling that when a trio of criminals break into her house, she cannot bring herself to flee. But what the intruders don't realize is that agoraphobia is not her only psychosis.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Intruders?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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In the quiet family town of Suburbicon during the 1950s, the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people. When a home invasion turns deadly, a picture-perfect family turns to blackmail, revenge and murder.

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Where it lives

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Names above the title

The people responsible.

Directed by

Adam Schindler

Written by

T.J. Cimfel · David White

Beth Riesgraf

Beth Riesgraf

Anna Rook

Martin Starr

Martin Starr

Perry Cuttner

Jack Kesy

Jack Kesy

J.P. Henson

Rory Culkin

Rory Culkin

Dan Cooper

L

Leticia Jimenez

Charlotte

Joshua Mikel

Joshua Mikel

Vance

Timothy McKinney

Timothy McKinney

Conrad

Court is in session

Put Intruders on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.