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Repulsion

Repulsion

Drama · Thriller · Horror · 1965

Beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.

Movie details

Repulsion

“The nightmare world of a virgin's dreams becomes the screen's shocking reality!”

1965 Drama · Thriller · Horror 1h 45m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Repulsion?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Echo

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A Nightmare on Elm Street 3: Dream Warriors

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Names above the title

The people responsible.

Directed by

Roman Polanski

Written by

Gérard Brach · Roman Polanski

Catherine Deneuve

Catherine Deneuve

Carol Ledoux

Ian Hendry

Ian Hendry

Michael

John Fraser

John Fraser

Colin

Yvonne Furneaux

Yvonne Furneaux

Hélène Ledoux

Patrick Wymark

Patrick Wymark

le propriétaire

Renée Houston

Renée Houston

Mme Balch

Valerie Taylor

Valerie Taylor

Mme Denise

Court is in session

Put Repulsion on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.