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Jacob's Ladder

Jacob's Ladder

Drama · Mystery · Horror · 1990

After returning home from the Vietnam War, veteran Jacob Singer struggles to maintain his sanity. Plagued by hallucinations and flashbacks, Singer rapidly falls apart as the world and people around him morph and twist into disturbing images. His girlfriend, Jezzie, and ex-wife, Sarah, try to help, but to little avail. Even Singer's chiropractor friend, Louis, fails to reach him as he descends into madness.

Movie details

Jacob's Ladder

“The most frightening thing about Jacob Singer's nightmare is that he isn't dreaming.”

1990 Drama · Mystery · Horror 1h 53m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

After returning home from the Vietnam War, veteran Jacob Singer struggles to maintain his sanity. Plagued by hallucinations and flashbacks, Singer rapidly falls apart as the world and people around him morph and twist into disturbing images. His girlfriend, Jezzie, and ex-wife, Sarah, try to help, but to little avail. Even Singer's chiropractor friend, Louis, fails to reach him as he descends into madness.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Jacob's Ladder?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Adrian Lyne

Written by

Bruce Joel Rubin

Tim Robbins

Tim Robbins

Jacob

Elizabeth Peña

Elizabeth Peña

Jezzie

Danny Aiello

Danny Aiello

Louis

Matt Craven

Matt Craven

Michael

Pruitt Taylor Vince

Pruitt Taylor Vince

Paul

Jason Alexander

Jason Alexander

Geary

Patricia Kalember

Patricia Kalember

Sarah

Court is in session

Put Jacob's Ladder on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.