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The Eyes of My Mother

The Eyes of My Mother

Drama · Horror · 2016

A young, lonely woman is consumed by her deepest and darkest desires after tragedy strikes her quiet country life.

Movie details

The Eyes of My Mother

2016 Drama · Horror 1h 16m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

A young, lonely woman is consumed by her deepest and darkest desires after tragedy strikes her quiet country life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Eyes of My Mother?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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1922

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Malignant

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Madison is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities with a mysterious tie to her past.

Baby Blues

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On a secluded family farm, a mother suffers a psychotic break due to postpartum depression, forcing the eldest son to protect his sibling from the mother they have always known and loved.

Presence

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The Thing with Feathers

The Thing with Feathers

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Never Let Go

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As an evil takes over the world beyond their front doorstep, the only protection for a mother and her twin sons is their house and their family’s protective bond.

Where it lives

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Names above the title

The people responsible.

Directed by

Nicolas Pesce

Written by

Nicolas Pesce

Kika Magalhães

Kika Magalhães

Francisca

Diana Agostini

Diana Agostini

Mother

Will Brill

Will Brill

Charlie

Clara Wong

Clara Wong

Kimiko

Olivia Bond

Olivia Bond

Young Francisca

Joey Curtis-Green

Joey Curtis-Green

Antonio

Flora Diaz

Flora Diaz

Lucy

Court is in session

Put The Eyes of My Mother on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.