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Mārama

Mārama

Horror · Drama · Mystery · 2026

1859. When a young Māori woman is summoned from New Zealand to North Yorkshire, she uncovers her horrific colonial heritage and is compelled to confront and destroy the titled Englishman who devastated her family.

Movie details

Mārama

“A Māori gothic story of retribution.”

2026 Horror · Drama · Mystery 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

1859. When a young Māori woman is summoned from New Zealand to North Yorkshire, she uncovers her horrific colonial heritage and is compelled to confront and destroy the titled Englishman who devastated her family.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mārama?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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An American school teacher in England drives past an abandoned car late one night, unaware that the driver was the victim of a murder. As she comes to terms with the realization, seemingly supernatural events start to affect the gothic manor she lives in with her husband.

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The Last Thing Mary Saw

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Where it lives

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Names above the title

The people responsible.

Directed by

Taratoa Stappard

Written by

Taratoa Stappard

Ariāna Osborne

Ariāna Osborne

Mary

Toby Stephens

Toby Stephens

Nathaniel Cole

Umi Myers

Umi Myers

Peggy

Erroll Shand

Erroll Shand

Jack Fenton

Jordan Mooney

Jordan Mooney

Arthur Cole

Evelyn Towersy

Evelyn Towersy

Anne

M

Mihi Te Rauhi Daniels

Hinemoana

Court is in session

Put Mārama on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.