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Amelia’s Children

Amelia’s Children

Horror · Mystery · 2024

When Edward’s search for his biological family leads him and his girlfriend Ryley to a magnificent villa high in the mountains of Northern Portugal, he is full of excitement at meeting his long-lost mother and twin brother. Finally, he will discover who he is and where he comes from. But nothing is as it seems, and Edward will soon learn that he is linked to them by a monstrous secret.

Movie details

Amelia’s Children

“A mother's love never dies.”

2024 Horror · Mystery 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

When Edward’s search for his biological family leads him and his girlfriend Ryley to a magnificent villa high in the mountains of Northern Portugal, he is full of excitement at meeting his long-lost mother and twin brother. Finally, he will discover who he is and where he comes from. But nothing is as it seems, and Edward will soon learn that he is linked to them by a monstrous secret.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Amelia’s Children?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Gabriel Abrantes

Written by

Gabriel Abrantes

Jack Haven

Jack Haven

Riley

Carloto Cotta

Carloto Cotta

Ed / Manuel / Artur

Anabela Moreira

Anabela Moreira

Amélia (velha)

Alba Baptista

Alba Baptista

Amélia (nova)

Rita Blanco

Rita Blanco

Sra. Vieira

Beatriz Maia

Beatriz Maia

Filha da Sra. Vieira

Nuno Nolasco

Nuno Nolasco

Anfitrião Companhia Aérea

Court is in session

Put Amelia’s Children on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.