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Brightburn

Brightburn

Horror · Science Fiction · Drama · 2019

What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?

Movie details

Brightburn

“He's not here to save the world.”

2019 Horror · Science Fiction · Drama 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Brightburn?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Frankenstein Unbound

Frankenstein Unbound

Horror · 1990

The ultimate weapon, claimed to be safe for mankind, produces global side-effects including time slides and disappearances. The scientist behind the project and his car are zapped from the year 2031 to 1817 in Switzerland where he meets Dr. Victor Frankenstein, Mary Shelley and others.

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Names above the title

The people responsible.

Directed by

David Yarovesky

Written by

Brian Gunn · Mark Gunn

Jackson A. Dunn

Jackson A. Dunn

Brandon Breyer

Elizabeth Banks

Elizabeth Banks

Tori Breyer

David Denman

David Denman

Kyle Breyer

Matt Jones

Matt Jones

Noah McNichol

Meredith Hagner

Meredith Hagner

Merilee McNichol

Becky Wahlstrom

Becky Wahlstrom

Erica

Emmie Hunter

Emmie Hunter

Caitlyn

Court is in session

Put Brightburn on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.