The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Stake Land
Drama · Horror · Science Fiction · 2010
Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned towns and cities, and it's up to Mister, a death dealing, rogue vampire hunter, to get Martin safely north to Canada, the continent's New Eden.
Movie details
Stake Land
“The Most Dangerous Thing Is To Be Alive.”
2010 Drama · Horror · Science Fiction 1h 38m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned towns and cities, and it's up to Mister, a death dealing, rogue vampire hunter, to get Martin safely north to Canada, the continent's New Eden.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Stake Land?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Videodrome
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Corridors of Blood
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In 1840s London, Dr. Thomas Bolton [Boris Karloff] dares to dream the unthinkable: experimenting with anesthesia gases to make surgery pain-free. While doing so, his demonstration before a panel of his peers ends in a horrific mishap with his patient awakening under the knife; he is forced to leave his position in disgrace. To complicate matters, he becomes addicted to his own chemical experiments and gets involved with a criminal gang led by Black Ben [Francis de Wolff], and a ruthless killer Resurrection Joe [Christopher Lee]. Unfortunately, this shady partnership leads Dr. Bolton to further ruin, culminating in his unwitting participation in murder — for which he becomes the first victim of a blackmail scheme.
The Hunger
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Five-thousand-year-old vampire Miriam promises her lovers the gift of eternal life. When John, her cellist companion for centuries, discovers that he has suddenly begun growing old, he attempts to seek out the help of Dr. Sarah Roberts, a researcher on the mechanisms of aging.
Martin
Horror · 1978
A young man, convinced he's a vampire, goes to live with his elderly and hostile cousin in a small Pennsylvanian town, where he tries to suppress his bloodlust.
Werewolf: The Beast Among Us
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Set in a 19th century village, a young man studying under a local doctor joins a team of hunters on the trail of a wolf-like creature.
The Devil's Rejects
Drama · 2005
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
Rabid
Horror · 1977
A young woman develops a taste for human blood after experimental plastic surgery, and her victims turn into bloodthirsty zombies, leading into a city-wide epidemic.
Books of Blood
Horror · 2020
A journey into uncharted and forbidden territory through three tales tangled in space and time.
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Names above the title
The people responsible.
Cast & crew
Directed by
Jim Mickle
Written by
Nick Damici · Jim Mickle
Connor Paolo
Martin
Nick Damici
Mister
Danielle Harris
Belle
Kelly McGillis
Sister
Gregory Jones
Martin's Father
Traci Hovel
Martin's Mother
Marianne Hagan
Doctor Foley
Court is in session
Put Stake Land on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.