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The Golden Touch

The Golden Touch

Animation · Comedy · 1935

King Midas is visited by an elf; the elf turns his cat to gold, then claps his hands and it changes back. Midas begs for the golden touch, but the elf warns him it would be a curse to him. Midas insists. He dances about joyfully at first, but discovers the drawbacks when he sits down to dinner. Fearing death by starvation, he summons the elf and agrees to surrender everything he owns to have the curse lifted.

Movie details

The Golden Touch

“A fable of a king whose touch turns everything to gold.”

1935 Animation · Comedy 10m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

King Midas is visited by an elf; the elf turns his cat to gold, then claps his hands and it changes back. Midas begs for the golden touch, but the elf warns him it would be a curse to him. Midas insists. He dances about joyfully at first, but discovers the drawbacks when he sits down to dinner. Fearing death by starvation, he summons the elf and agrees to surrender everything he owns to have the curse lifted.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Golden Touch?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Walt Disney

Written by

Albert Hurter

Billy Bletcher

Billy Bletcher

King Midas (voice) (uncredited)

M

Mary Moder

Goldie (voice) (uncredited)

Clarence Nash

Clarence Nash

Grim Reaper (voice) (uncredited)

Purv Pullen

Purv Pullen

Bird (voice) (uncredited)

Toby Wing

Toby Wing

Bird (voice) (uncredited)

Court is in session

Put The Golden Touch on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.