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The Big Bad Wolf

The Big Bad Wolf

Animation · Comedy · 1934

The Big Bad Wolf torments Little Red Riding Hood and the Three Little Pigs.

Movie details

The Big Bad Wolf

“Red Riding Hood travels to visit her sick grandmother.”

1934 Animation · Comedy 9m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

The Big Bad Wolf torments Little Red Riding Hood and the Three Little Pigs.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Big Bad Wolf?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Ye Olden Days

Ye Olden Days

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The princess is to wed the Prince against her wishes. When she refuses, the king locks her in the tower. Minstrel Mickey sees her and rescues her, making a rope from the clothes of lady-in-waiting Clarabell. The king spots them and prepares to chop off Mickey's head until Minnie intercedes. The king calls for a joust. Mickey wins and they live happily ever after.

Crazy Over Daisy

Crazy Over Daisy

Animation · 1950

It's the 1890s, and Donald is riding his penny-farthing bicycle to see Daisy when Chip 'n Dale make fun of him. It quickly escalates into a full-fledged war between Donald and the chipmunks.

Good Scouts

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How to Play Golf

How to Play Golf

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Goofy shows us, in his inimitable way, the fundamentals of golf, guided as usual by the somewhat sarcastic narrator.

Welcome to the Club

Welcome to the Club

Animation · 2022

Heart set on becoming a princess, Lisa Simpson is surprised to learn being bad might be more fun.

Mooned

Mooned

Animation · 2023

Villainous Vector must figure out how to get off the moon and return to Earth.

Party Central

Party Central

Family · 2014

Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.

Babes in the Woods

Babes in the Woods

Animation · 1932

Two Dutch children stumble on a clearing in the woods where gnomes are going about their business. The gnomes are friendly to the children. A witch comes and takes them away on her broom to her gingerbread house, where she turns nasty on them, turning the boy into a spider, her yowling cat to stone, and tries to turn the girl into a rat when a gnome's arrow stops her. While the gnomes are fighting the witch, Hansel and Gretl free the other children who have been imprisoned and transformed by the witch.

The Opry House

The Opry House

Animation · 1929

Mickey runs a small theatre. The orchestra plays, rather badly, excerpts from Carmen. Mickey appears as a snake charmer, but the snake is revealed to be a cat with a snake's head painted on its tail. Mickey does a belly dance, to the audience's delight. Mickey then plays the piano, but the piano and stool, apparently annoyed at the violence and complexity of the piece, kick him off stage.

The Barn Dance

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Minnie Mouse has to choose between two dance partners, as clumsy Mickey competes with the more experienced Pete for the pleasure of her company.

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Names above the title

The people responsible.

Directed by

Burt Gillett

Written by

Charles Perrault

Sara Berner

Sara Berner

Little Red Riding Hood / Grandma (voice) (uncredited)

Billy Bletcher

Billy Bletcher

Big Bad Wolf (voice) (uncredited)

Pinto Colvig

Pinto Colvig

Practical Pig (voice) (uncredited)

D

Dorothy Compton

Fifer Pig (voice) (uncredited)

M

Mary Moder

Fiddler Pig (voice) (uncredited)

S

Shirley Reed

Little Red Riding Hood (voice) (uncredited)

Court is in session

Put The Big Bad Wolf on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.