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Welcome to the Club

Welcome to the Club

Animation · Comedy · 2022

Heart set on becoming a princess, Lisa Simpson is surprised to learn being bad might be more fun.

Movie details

Welcome to the Club

“It’s not easy being mean… or is it?”

2022 Animation · Comedy 4m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Heart set on becoming a princess, Lisa Simpson is surprised to learn being bad might be more fun.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Welcome to the Club?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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LEGO DC Comics Super Heroes: Justice League - Attack of the Legion of Doom!

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Extreme Makeover: Homer Edition

Extreme Makeover: Homer Edition

Animation · 2026

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Marvel One-Shot: All Hail the King

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Monster High: Welcome to Monster High

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Fire and Ice

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Animation · 1983

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Where it lives

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Names above the title

The people responsible.

Directed by

David Silverman

Written by

Christine Nangle · Joel H. Cohen · J. Stewart Burns · Loni Steele Sosthand

Nancy Cartwright

Nancy Cartwright

Bart Simpson / Mickey Mouse (voice)

Yeardley Smith

Yeardley Smith

Lisa Simpson (voice)

Chris Edgerly

Chris Edgerly

Prince Charming / Princes (voice)

Dawnn Lewis

Dawnn Lewis

Ursula / Kaa (voice)

Tress MacNeille

Tress MacNeille

Evil Queen / Cruella de Vil / Queen of Hearts (voice)

Kevin Michael Richardson

Kevin Michael Richardson

Captain Hook (voice)

Tom Hiddleston

Tom Hiddleston

Loki (voice)

Court is in session

Put Welcome to the Club on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.