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Puss in Boots: The Three Diablos

Puss in Boots: The Three Diablos

Adventure · Animation · Comedy · 2012

Puss in Boots is on a mission to recover the Princess' stolen ruby from the notorious French thief, Whisperer. Reluctantly accompanied by three little kittens, Three Diablos, Puss must tame them before they endanger the mission.

Movie details

Puss in Boots: The Three Diablos

2012 Adventure · Animation · Comedy 13m

Critical arithmetic

The consensus, allegedly.

IMDb

6.9 / 10

3.9K votes

TMDB

6.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Puss in Boots is on a mission to recover the Princess' stolen ruby from the notorious French thief, Whisperer. Reluctantly accompanied by three little kittens, Three Diablos, Puss must tame them before they endanger the mission.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Puss in Boots: The Three Diablos?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Raman Hui Shing-Ngai

Written by

Tom Wheeler

Antonio Banderas

Antonio Banderas

Puss in Boots (voice)

Gilles Marini

Gilles Marini

Captain Of The Guard / Paolo The Squire (voice)

Charlotte Newhouse

Charlotte Newhouse

Princess Alessandra Bellagamba (voice)

Chris Miller

Chris Miller

Food Prisoner (voice)

Walt Dohrn

Walt Dohrn

Water Prisoner (voice)

Bret Marnell

Bret Marnell

Toilet Paper Prisoner (voice)

Miles Bakshi

Miles Bakshi

Gonzalo / Sir Timoteo (voice)

Court is in session

Put Puss in Boots: The Three Diablos on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.