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White Lie

White Lie

Drama · 2019

Katie Arneson is faking cancer. A university dance major, Katie's falsified diagnosis and counterfeit fundraising have transformed her into a campus celebrity surrounded by the supportive community she's always dreamed of. But now dependent on a bursary for sick students to maintain her ruse, Katie learns the funding is in jeopardy unless she can provide copies of her medical records within the week.

Movie details

White Lie

2019 Drama 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Katie Arneson is faking cancer. A university dance major, Katie's falsified diagnosis and counterfeit fundraising have transformed her into a campus celebrity surrounded by the supportive community she's always dreamed of. But now dependent on a bursary for sick students to maintain her ruse, Katie learns the funding is in jeopardy unless she can provide copies of her medical records within the week.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over White Lie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Calvin Thomas · Yonah Lewis

Written by

Yonah Lewis · Calvin Thomas

Kacey Rohl

Kacey Rohl

Katie Arneson

Amber Anderson

Amber Anderson

Jennifer Ellis

Martin Donovan

Martin Donovan

Doug Arneson

Connor Jessup

Connor Jessup

Owen

Thomas Olajide

Thomas Olajide

Dr. Jabari Jordan

Christine Horne

Christine Horne

Julia Stansfield

Sharon Lewis

Sharon Lewis

Colette

Court is in session

Put White Lie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.