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Adopt a Highway

Adopt a Highway

Drama · 2019

Russ Millings has just been released from prison after serving 21 years for a 3rd strike conviction for possessing an ounce of marijuana. As he tries to adapt to a world he doesn’t recognize – including trying to learn how to use the internet – he finds an abandoned baby in a dumpster behind the fast food restaurant where he works as a dishwasher. Unsure of what to do, and caught between impulses of kindness and panic, Russ soon realizes this could be his chance at redemption.

Movie details

Adopt a Highway

2019 Drama 1h 21m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Russ Millings has just been released from prison after serving 21 years for a 3rd strike conviction for possessing an ounce of marijuana. As he tries to adapt to a world he doesn’t recognize – including trying to learn how to use the internet – he finds an abandoned baby in a dumpster behind the fast food restaurant where he works as a dishwasher. Unsure of what to do, and caught between impulses of kindness and panic, Russ soon realizes this could be his chance at redemption.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Adopt a Highway?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Logan Marshall-Green

Written by

Logan Marshall-Green

Ethan Hawke

Ethan Hawke

Russell Millings

Elaine Hendrix

Elaine Hendrix

Diane Spring

Diane Gaeta

Diane Gaeta

Becca

Betty Gabriel

Betty Gabriel

Deeks

Mo McRae

Mo McRae

Wilson

Chris Sullivan

Chris Sullivan

Orankle

Nate Mooney

Nate Mooney

Homeless Man

Court is in session

Put Adopt a Highway on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.