Back to trending
The Rainmaker

The Rainmaker

Drama · Crime · Thriller · 1997

Fresh out of law school and desperate for work, idealistic rookie Rudy Baylor takes on a powerful insurance company accused of denying a dying boy’s claim. Teaming up with a scrappy, unlicensed paralegal, he finds himself in a David-versus-Goliath courtroom battle that tests his ethics, courage, and belief in justice.

Movie details

The Rainmaker

“They were totally unqualified to try the case of a lifetime... but every underdog has his day.”

1997 Drama · Crime · Thriller 2h 15m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Fresh out of law school and desperate for work, idealistic rookie Rudy Baylor takes on a powerful insurance company accused of denying a dying boy’s claim. Teaming up with a scrappy, unlicensed paralegal, he finds himself in a David-versus-Goliath courtroom battle that tests his ethics, courage, and belief in justice.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Rainmaker?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Francis Ford Coppola

Written by

Francis Ford Coppola · Michael Herr

Matt Damon

Matt Damon

Rudy Baylor

Claire Danes

Claire Danes

Kelly Riker

Danny DeVito

Danny DeVito

Deck Shifflet

Jon Voight

Jon Voight

Leo F. Drummond

Mary Kay Place

Mary Kay Place

Dot Black

Dean Stockwell

Dean Stockwell

Judge Harvey Hale

Mickey Rourke

Mickey Rourke

Bruiser Stone

Court is in session

Put The Rainmaker on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.