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To Kill a Mockingbird

To Kill a Mockingbird

Drama · 1962

Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.

Movie details

To Kill a Mockingbird

“A father must expose his children to a small town's outraged passions… and can only protect them with his love.”

1962 Drama 2h 9m

Critical arithmetic

One number, for now.

TMDB

8.0 / 10

Community rating

Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over To Kill a Mockingbird?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Robert Mulligan

Written by

Horton Foote

Gregory Peck

Gregory Peck

Atticus Finch

Mary Badham

Mary Badham

Scout Finch

Phillip Alford

Phillip Alford

Jem

John Megna

John Megna

Dill Harris

Frank Overton

Frank Overton

Sheriff Heck Tate

Brock Peters

Brock Peters

Tom Robinson

Rosemary Murphy

Rosemary Murphy

Maudie Atkinson

Court is in session

Put To Kill a Mockingbird on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.