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The Intruder

The Intruder

Drama · 1962

A man in a gleaming white suit comes to a small Southern town on the eve of integration. He calls himself a social reformer. But what he does is stir up trouble--trouble he soon finds he can't control.

Movie details

The Intruder

“He Fed Their Fears And Turned Neighbor Against Neighbor!”

1962 Drama 1h 24m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

A man in a gleaming white suit comes to a small Southern town on the eve of integration. He calls himself a social reformer. But what he does is stir up trouble--trouble he soon finds he can't control.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Intruder?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Follows the life of Native Canadian Saul Indian Horse as he survives residential school and life amongst the racism of the 1970s. A talented hockey player, Saul must find his own path as he battles stereotypes and alcoholism.

To Kill a Mockingbird

To Kill a Mockingbird

Drama · 1962

Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.

Ragtime

Ragtime

Drama · 1981

A young black pianist becomes embroiled in the lives of an upper-class white family set among the racial tensions, infidelity, violence, and other nostalgic events in early 1900s New York City.

The Help

The Help

Drama · 2011

Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.

Selma

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"Selma," as in Alabama, the place where segregation in the South was at its worst, leading to a march that ended in violence, forcing a famous statement by President Lyndon B. Johnson that ultimately led to the signing of the Voting Rights Act.

The Best of Enemies

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Centers on the unlikely relationship between Ann Atwater, an outspoken civil rights activist, and C.P. Ellis, a local Ku Klux Klan leader who reluctantly co-chaired a community summit, battling over the desegregation of schools in Durham, North Carolina during the racially-charged summer of 1971. The incredible events that unfolded would change Durham and the lives of Atwater and Ellis forever.

The Molly Maguires

The Molly Maguires

Drama · 1970

Schuylkill County, Pennsylvania, 1876. A secret society of Irish coal miners, bond by a sacred oath, put pressure on the greedy and ruthless company they work for by sabotaging mining facilities in the hope of improving their working conditions and the lives of their families.

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Names above the title

The people responsible.

Directed by

Roger Corman

Written by

Charles Beaumont

William Shatner

William Shatner

Adam Cramer

Frank Maxwell

Frank Maxwell

Tom McDaniel

B

Beverly Lunsford

Ella McDaniel

Robert Emhardt

Robert Emhardt

Verne Shipman

Leo Gordon

Leo Gordon

Sam Griffin

C

Charles Barnes

Joey Greene

Charles Beaumont

Charles Beaumont

Mr. Paton

Court is in session

Put The Intruder on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.