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Awakenings

Awakenings

Drama · 1990

Dr. Malcolm Sayer, a shy research physician, uses an experimental drug to "awaken" the catatonic victims of a rare disease. Leonard is the first patient to receive the controversial treatment. His awakening, filled with awe and enthusiasm, proves a rebirth for Sayer too, as the exuberant patient reveals life's simple but unutterably sweet pleasures to the introverted doctor.

Movie details

Awakenings

“There is no such thing as a simple miracle.”

1990 Drama 2h 0m

Critical arithmetic

One number, for now.

TMDB

7.8 / 10

Community rating

Dr. Malcolm Sayer, a shy research physician, uses an experimental drug to "awaken" the catatonic victims of a rare disease. Leonard is the first patient to receive the controversial treatment. His awakening, filled with awe and enthusiasm, proves a rebirth for Sayer too, as the exuberant patient reveals life's simple but unutterably sweet pleasures to the introverted doctor.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Awakenings?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Penny Marshall

Written by

Steven Zaillian

Robert De Niro

Robert De Niro

Leonard Lowe

Robin Williams

Robin Williams

Malcolm Sayer

John Heard

John Heard

Dr. Kaufman

Julie Kavner

Julie Kavner

Eleanor Costello

Penelope Ann Miller

Penelope Ann Miller

Paula

Ruth Nelson

Ruth Nelson

Mrs. Lowe

Max von Sydow

Max von Sydow

Peter Ingham

Court is in session

Put Awakenings on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.