The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Shoot the Moon
Drama · Romance · 1982
After fifteen years of marriage, an affluent couple divorce and take up with new partners.
Movie details
Shoot the Moon
“There's one thing about marriage that hasn't changed... The way you hurt when it begins to fall apart.”
1982 Drama · Romance 2h 4m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
After fifteen years of marriage, an affluent couple divorce and take up with new partners.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Shoot the Moon?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Revolutionary Road
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Names above the title
The people responsible.
Cast & crew
Directed by
Alan Parker
Written by
Bo Goldman
Albert Finney
George Dunlap
Diane Keaton
Faith Dunlap
Karen Allen
Sandy
Peter Weller
Frank Henderson
Dana Hill
Sherry Dunlap
Viveka Davis
Jill Dunlap
Tracey Gold
Marianne Dunlap
Court is in session
Put Shoot the Moon on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.