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The Delinquent Season

The Delinquent Season

Drama · Romance · 2018

In Dublin, two couples (Jim and Danielle; Yvonne and Chris) are seemingly living in marital bliss. However, when Chris's behaviour begins to change, Yvonne seeks solace in the arms of Jim, and before long they are in the midst of an affair. When a life-changing secret is later revealed, all four are forced to re-evaluate their lives, their marriages, and their friendships - but can anything be salvaged from the wreckage?

Movie details

The Delinquent Season

“Love is a dangerous game”

2018 Drama · Romance 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

In Dublin, two couples (Jim and Danielle; Yvonne and Chris) are seemingly living in marital bliss. However, when Chris's behaviour begins to change, Yvonne seeks solace in the arms of Jim, and before long they are in the midst of an affair. When a life-changing secret is later revealed, all four are forced to re-evaluate their lives, their marriages, and their friendships - but can anything be salvaged from the wreckage?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Delinquent Season?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mark O'Rowe

Written by

Mark O'Rowe

Cillian Murphy

Cillian Murphy

Jim

Eva Birthistle

Eva Birthistle

Danielle

Catherine Walker

Catherine Walker

Yvonne

Andrew Scott

Andrew Scott

Chris

Lara McDonnell

Lara McDonnell

Alannah

Lydia McGuinness

Lydia McGuinness

Orla

Joanne Crawford

Joanne Crawford

Joan

Court is in session

Put The Delinquent Season on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.