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Blood of the Vampire

Blood of the Vampire

Horror · Science Fiction · 1958

A man and wife are terrorized by Mad Scientist Dr. Callistratus who was executed but has returned to life with a heart transplant. Along with his crippled assistant Carl, the 'anemic' Mad Scientist, believed to be a vampire, conducts blood deficiency research on the inmates of a prison hospital for the criminally insane to sustain his return to life.

Movie details

Blood of the Vampire

“Nothing Like It This Side of Hell!”

1958 Horror · Science Fiction 1h 27m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

A man and wife are terrorized by Mad Scientist Dr. Callistratus who was executed but has returned to life with a heart transplant. Along with his crippled assistant Carl, the 'anemic' Mad Scientist, believed to be a vampire, conducts blood deficiency research on the inmates of a prison hospital for the criminally insane to sustain his return to life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Blood of the Vampire?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Henry Cass

Written by

Jimmy Sangster

Donald Wolfit

Donald Wolfit

Doctor Callistratus

Vincent Ball

Vincent Ball

Dr. John Pierre

Barbara Shelley

Barbara Shelley

Madeleine Duval

Victor Maddern

Victor Maddern

Carl

W

William Devlin

Kurt Urach

Andrew Faulds

Andrew Faulds

Chief Guard Wetzler

John Le Mesurier

John Le Mesurier

Chief Justice

Court is in session

Put Blood of the Vampire on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.