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Circle

Circle

Horror · Science Fiction · Mystery · 2015

In a massive, mysterious chamber, fifty strangers awaken to find themselves trapped with no memory of how they got there. Organized in an inward-facing circle and unable to move, they quickly learn that every two minutes, one of them must die…executed by a strange device in the center of the room.

Movie details

Circle

“In here…everything gets you killed.”

2015 Horror · Science Fiction · Mystery 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

In a massive, mysterious chamber, fifty strangers awaken to find themselves trapped with no memory of how they got there. Organized in an inward-facing circle and unable to move, they quickly learn that every two minutes, one of them must die…executed by a strange device in the center of the room.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Circle?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Aaron Hann · Mario Miscione

Written by

Aaron Hann · Mario Miscione

Julie Benz

Julie Benz

Wife

Carter Jenkins

Carter Jenkins

College Guy

Cesar Garcia

Cesar Garcia

Tattooed Man

Mercy Malick

Mercy Malick

Lesbian

Lisa Pelikan

Lisa Pelikan

Cancer Survivor

Molly Jackson

Molly Jackson

Little Girl

Sara Sanderson

Sara Sanderson

Pretty Girl / Christina

Court is in session

Put Circle on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.