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Return of the Fly

Return of the Fly

Horror · Science Fiction · 1959

Fifteen years after his father's experiments with matter transmission fail, Philippe Delambre and his uncle François attempt to create a matter transmission device on their own. However, their experiments have disastrous results, turning Philippe into a horrible half-man, half-fly creature.

Movie details

Return of the Fly

“Out of the World of Atomic Mutation It Rises - With the Dread Curse of the Father Upon It!”

1959 Horror · Science Fiction 1h 20m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Fifteen years after his father's experiments with matter transmission fail, Philippe Delambre and his uncle François attempt to create a matter transmission device on their own. However, their experiments have disastrous results, turning Philippe into a horrible half-man, half-fly creature.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Return of the Fly?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Tingler

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Quatermass 2

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Names above the title

The people responsible.

Directed by

Edward Bernds

Written by

Edward Bernds

Vincent Price

Vincent Price

Francois Delambre

Brett Halsey

Brett Halsey

Philippe Delambre

John Sutton

John Sutton

Insp. Beecham

David Frankham

David Frankham

Ronald Holmes, alias Alan Hinds

D

Dan Seymour

Max Berthold

Danielle De Metz

Danielle De Metz

Cecile Bonnard

J

Jack Daly

Granville (reporter)

Court is in session

Put Return of the Fly on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.