The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Mark of the Vampire
Mystery · Horror · 1935
Sir Borotyn, a prominent Prague resident, is discovered murdered in his home, with all indications pointing to a vampiric assault. The victim's friend, Baron Otto, and the physician who analyzes the body, are certain that the vampire is either the mysterious Count Mora or his daughter. Receiving little help from the law, occult expert Professor Zelen is sought to assist with their investigation.
Movie details
Mark of the Vampire
“Undead…Yet living on the kisses of youth!”
1935 Mystery · Horror 1h 0m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
Sir Borotyn, a prominent Prague resident, is discovered murdered in his home, with all indications pointing to a vampiric assault. The victim's friend, Baron Otto, and the physician who analyzes the body, are certain that the vampire is either the mysterious Count Mora or his daughter. Receiving little help from the law, occult expert Professor Zelen is sought to assist with their investigation.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Mark of the Vampire?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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A Scotland Yard investigator looks into four mysterious cases involving an unoccupied house.
The City of the Dead
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House on Haunted Hill
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Silver Bullet
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The small city of Tarker's Mills is startled by a series of sadistic murders. The population fears the work of a maniac, but sightings of a mysterious, hairy creature soon spread. People lock themselves up at night, but there's one boy who's still outside…
The Brides of Dracula
Horror · 1960
A young teacher on her way to a position in Transylvania helps a young man escape the shackles his mother has put on him. In so doing she innocently unleashes the horrors of the undead once again on the populace, including those at her school for ladies. Luckily for some, Dr. Van Helsing is already on his way.
Blood of the Vampire
Horror · 1958
A man and wife are terrorized by Mad Scientist Dr. Callistratus who was executed but has returned to life with a heart transplant. Along with his crippled assistant Carl, the 'anemic' Mad Scientist, believed to be a vampire, conducts blood deficiency research on the inmates of a prison hospital for the criminally insane to sustain his return to life.
The Asphyx
Fantasy · 1972
Hugo is a brilliant turn-of-the-century scientist, loved and respected by his family and friends, admired by his colleagues. But he is a man quickly becoming obsessed with a curious and frightening question...What is the mysterious apparition found in the photographs of his dying subjects?
The Haunting Hour: Don't Think About It
Horror · 2007
Cassie, a 13 year old Gothic girl, is trying to fit in at her new school. To entertain herself, she plays a series of pranks on the popular kids and her younger brother, Max. When she goes to a Halloween store looking for new tricks, she finds a little book called "The Evil Thing"
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Names above the title
The people responsible.
Cast & crew
Directed by
Tod Browning
Written by
Bernard Schubert · John L. Balderston · Guy Endore · H.S. Kraft
Lionel Barrymore
Professor Zelin
Elizabeth Allan
Irena Borotyn
Bela Lugosi
Count Mora
Lionel Atwill
Inspector Neumann
Jean Hersholt
Baron Otto
Henry Wadsworth
Fedor Vincente
Donald Meek
Dr. Doskil
Court is in session
Put Mark of the Vampire on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.