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Tomie: Rebirth

Tomie: Rebirth

Horror · 2001

Young art student Hideo paints an unnerving portrait of Tomie, who whispers that she loves him. Inexplicably, he reacts by stabbing her to death with a painting trowel. Two friends, Takumi and Shunichi, arrive on the scene and help him dispose of the body. To cheer him up, the boys take the unwitting murderer to the nearest bar for a party... but a mysterious girl named Tomie shows up, bearing a few odd physical resemblances to the dead girl in the ground.

Movie details

Tomie: Rebirth

2001 Horror 1h 40m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Young art student Hideo paints an unnerving portrait of Tomie, who whispers that she loves him. Inexplicably, he reacts by stabbing her to death with a painting trowel. Two friends, Takumi and Shunichi, arrive on the scene and help him dispose of the body. To cheer him up, the boys take the unwitting murderer to the nearest bar for a party... but a mysterious girl named Tomie shows up, bearing a few odd physical resemblances to the dead girl in the ground.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Tomie: Rebirth?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Takashi Shimizu

Written by

Yoshinobu Fujioka

Miki Sakai

Miki Sakai

Tomie Kawakami

Satoshi Tsumabuki

Satoshi Tsumabuki

Takumi Aoyama

Kumiko Endo

Kumiko Endo

Hitomi Kitamura

Masaya Kikawada

Masaya Kikawada

Shun'ichi Hosoda

Shugo Oshinari

Shugo Oshinari

Hideo Kamata

Yutaka Nakajima

Yutaka Nakajima

Tomoko Hosoda

Y

Yuri Hachisu

Yumiko Sano

Court is in session

Put Tomie: Rebirth on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.