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Ajin: Demi-Human

Ajin: Demi-Human

Action · Horror · Mystery · 2017

Kei Nagai dies in a car accident, but realises he is a type of immortal known as Ajin. Hunted by humans, Ajin is eventually found by the government and used as a subject in cruel experiments. He finds fellow demi-humans along the way as he escapes and goes on the run.

Movie details

Ajin: Demi-Human

“Live through death.”

2017 Action · Horror · Mystery 1h 49m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Kei Nagai dies in a car accident, but realises he is a type of immortal known as Ajin. Hunted by humans, Ajin is eventually found by the government and used as a subject in cruel experiments. He finds fellow demi-humans along the way as he escapes and goes on the run.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ajin: Demi-Human?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Katsuyuki Motohiro

Written by

Masahiro Yamaura · Hiroshi Seko

Takeru Satoh

Takeru Satoh

Kei Nagai

Go Ayano

Go Ayano

Sato

Minami Hamabe

Minami Hamabe

Eriko Nagai

Yuki Yamada

Yuki Yamada

Takahashi

Rina Kawaei

Rina Kawaei

Izumi Shimomura

Yudai Chiba

Yudai Chiba

Okuyama

Yu Shirota

Yu Shirota

Koji Tanaka

Court is in session

Put Ajin: Demi-Human on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.