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Gamera 3: Revenge of Iris

Gamera 3: Revenge of Iris

Fantasy · Science Fiction · Horror · 1999

With the Gyaos re-emerging, Gamera's ties to humanity have been severed with his bond to Asagi broken. Nagamine and Asagi investigate while an orphaned girl named Ayana discovers a new creature she names Iris. Nagamine and Asagi must reach Ayana before she takes her revenge on Gamera, who she blames for the death of her family.

Movie details

Gamera 3: Revenge of Iris

“I will not forgive Gamera.”

1999 Fantasy · Science Fiction · Horror 1h 48m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

With the Gyaos re-emerging, Gamera's ties to humanity have been severed with his bond to Asagi broken. Nagamine and Asagi investigate while an orphaned girl named Ayana discovers a new creature she names Iris. Nagamine and Asagi must reach Ayana before she takes her revenge on Gamera, who she blames for the death of her family.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gamera 3: Revenge of Iris?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Shusuke Kaneko

Written by

Kazunori Ito · Shusuke Kaneko

Ai Maeda

Ai Maeda

Ayana Hirasaka

Shinobu Nakayama

Shinobu Nakayama

Dr. Mayumi Nagamine

Aki Maeda

Aki Maeda

Young Ayana Hirasaka

Ayako Fujitani

Ayako Fujitani

Asagi Kusanagi

Y

Yû Koyama

Tatsunari Moribe

Nozomi Ando

Nozomi Ando

Miyuki Moribe

Ito Takahiro

Ito Takahiro

Satoru Hirasaka

Court is in session

Put Gamera 3: Revenge of Iris on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.