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Godzilla: Planet of the Monsters

Godzilla: Planet of the Monsters

Animation · Action · Science Fiction · 2017

A desperate group of refugees attempts to recolonize Earth 20,000 years after Godzilla took over. But one young man wants revenge above all else.

Movie details

Godzilla: Planet of the Monsters

“Who will survive? Humankind or Godzilla?”

2017 Animation · Action · Science Fiction 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

A desperate group of refugees attempts to recolonize Earth 20,000 years after Godzilla took over. But one young man wants revenge above all else.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Godzilla: Planet of the Monsters?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Hiroyuki Seshita · Kobun Shizuno

Written by

Gen Urobuchi

Mamoru Miyano

Mamoru Miyano

Haruo Sakaki (voice)

Takahiro Sakurai

Takahiro Sakurai

Metphies (voice)

Kana Hanazawa

Kana Hanazawa

Yuko Tani (voice)

Tomokazu Sugita

Tomokazu Sugita

Martin Lazzari (voice)

Yuki Kaji

Yuki Kaji

Adam Bindewald (voice)

Junichi Suwabe

Junichi Suwabe

Mulu-elu Galu-gu (voice)

Daisuke Ono

Daisuke Ono

Eliott Leland (voice)

Court is in session

Put Godzilla: Planet of the Monsters on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.