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Attack on Titan II: End of the World

Attack on Titan II: End of the World

Horror · Science Fiction · Action · 2015

Eren Yeager leaves to restore a break in the wall destroyed by a Titan. He comes under attack by the Titans and is cornered. Shikishima comes to his aid. The titans never stops attacking. Eren is now injured and tries to protect Armin, but is swallowed by a titan. A Titan with black hair appears and begins to expel the other titans.

Movie details

Attack on Titan II: End of the World

“The world is merciless.”

2015 Horror · Science Fiction · Action 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Eren Yeager leaves to restore a break in the wall destroyed by a Titan. He comes under attack by the Titans and is cornered. Shikishima comes to his aid. The titans never stops attacking. Eren is now injured and tries to protect Armin, but is swallowed by a titan. A Titan with black hair appears and begins to expel the other titans.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Attack on Titan II: End of the World?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Shinji Higuchi

Written by

Tomohiro Machiyama · Yusuke Watanabe

Haruma Miura

Haruma Miura

Eren

Kiko Mizuhara

Kiko Mizuhara

Mikasa

Kanata Hongo

Kanata Hongo

Armin

Hiroki Hasegawa

Hiroki Hasegawa

Shikishima

Hitomi Miyauchi

Hitomi Miyauchi

Sasha

Satomi Ishihara

Satomi Ishihara

Hans

Jun Kunimura

Jun Kunimura

Kubal

Court is in session

Put Attack on Titan II: End of the World on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.