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Blue Exorcist: The Movie

Blue Exorcist: The Movie

Animation · Fantasy · Mystery · 2012

The atmosphere in True Cross Academy is lively and boisterous in the days leading up to the grand festival held once every 11 years. During this time, Okumura Rin is entrusted with the responsibility of suppressing the berserk Phantom Train. In the midst of his mission, he meets a devil whose appearance is that of a young boy.

Movie details

Blue Exorcist: The Movie

2012 Animation · Fantasy · Mystery 1h 28m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

The atmosphere in True Cross Academy is lively and boisterous in the days leading up to the grand festival held once every 11 years. During this time, Okumura Rin is entrusted with the responsibility of suppressing the berserk Phantom Train. In the midst of his mission, he meets a devil whose appearance is that of a young boy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Blue Exorcist: The Movie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Atsushi Takahashi

Written by

Reiko Yoshida

Jun Fukuyama

Jun Fukuyama

Yukio Okumura (voice)

Kana Hanazawa

Kana Hanazawa

Shiemi Moriyama (voice)

Kazuya Nakai

Kazuya Nakai

Ryuji Suguro (voice)

Koji Yusa

Koji Yusa

Renzo Shima (voice)

Yuki Kaji

Yuki Kaji

Konekomaru Miwa (voice)

Eri Kitamura

Eri Kitamura

Izumo Kamiki (voice)

Ayahi Takagaki

Ayahi Takagaki

Kuro (voice)

Court is in session

Put Blue Exorcist: The Movie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.