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The Haunting Hour: Don't Think About It

The Haunting Hour: Don't Think About It

Horror · TV Movie · Fantasy · 2007

Cassie, a 13 year old Gothic girl, is trying to fit in at her new school. To entertain herself, she plays a series of pranks on the popular kids and her younger brother, Max. When she goes to a Halloween store looking for new tricks, she finds a little book called "The Evil Thing"

Movie details

The Haunting Hour: Don't Think About It

2007 Horror · TV Movie · Fantasy 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Cassie, a 13 year old Gothic girl, is trying to fit in at her new school. To entertain herself, she plays a series of pranks on the popular kids and her younger brother, Max. When she goes to a Halloween store looking for new tricks, she finds a little book called "The Evil Thing"

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Haunting Hour: Don't Think About It?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alex Zamm

Written by

Dan Angel · Billy Brown

Emily Osment

Emily Osment

Cassie Keller

Brittany Curran

Brittany Curran

Priscilla Wright

A

Alex Winzenread

Max Keller

M

Michelle Duffy

Eileen Keller

John Hawkinson

John Hawkinson

Jack Keller

Cody Linley

Cody Linley

Sean

Tobin Bell

Tobin Bell

The Stranger

Court is in session

Put The Haunting Hour: Don't Think About It on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.