The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
The Flesh and the Fiends
Horror · 1960
Edinburgh surgeon Dr. Robert Knox requires cadavers for his research into the functioning of the human body; local ne'er-do-wells Burke and Hare find ways to provide him with fresh specimens...
Movie details
The Flesh and the Fiends
“Coffins Looted! Cadavers Dissected!”
1960 Horror 1h 34m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.6 / 10
Community rating
Edinburgh surgeon Dr. Robert Knox requires cadavers for his research into the functioning of the human body; local ne'er-do-wells Burke and Hare find ways to provide him with fresh specimens...
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Flesh and the Fiends?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Circus of Horrors
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Assimilate
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
John Gilling
Written by
John Gilling · Leon Griffiths
Peter Cushing
Dr. Robert Knox
Donald Pleasence
William Hare
George Rose
William Burke
June Laverick
Martha Knox
Renée Houston
Helen Burke
Dermot Walsh
Dr. Geoffrey Mitchell
Billie Whitelaw
Mary Patterson
Court is in session
Put The Flesh and the Fiends on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.