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Corruption

Corruption

Horror · 1968

A surgeon discovers that he can restore the beauty to his girlfriend's scarred face by murdering other women and extracting fluids from their pituitary gland. However, the effects only last for a short time, so he has to kill more and more women. It is ultimately a killing spree which ends with considerable death and disaster.

Movie details

Corruption

“where will the bodies turn up next? ...under a car seat? ...in a valise? ...or in a deep-freeze?”

1968 Horror 1h 31m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

A surgeon discovers that he can restore the beauty to his girlfriend's scarred face by murdering other women and extracting fluids from their pituitary gland. However, the effects only last for a short time, so he has to kill more and more women. It is ultimately a killing spree which ends with considerable death and disaster.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Corruption?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Robert Hartford-Davis

Written by

Derek Ford · Donald Ford

Peter Cushing

Peter Cushing

Sir John Rowan

Sue Lloyd

Sue Lloyd

Lynn Nolan

Noel Trevarthen

Noel Trevarthen

Steve Harris

Kate O'Mara

Kate O'Mara

Val Nolan

David Lodge

David Lodge

Groper

Anthony Booth

Anthony Booth

Mike Orme

Wendy Varnals

Wendy Varnals

Terry

Court is in session

Put Corruption on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.