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Nightmare Cinema

Nightmare Cinema

Horror · 2018

A series of down-on-their-luck individuals enter the decrepit and spine-chilling Rialto theater, only to have their deepest and darkest fears brought to life on the silver screen by The Projectionist – a mysterious, ghostly figure who holds the nightmarish futures of all who attend his screenings.

Movie details

Nightmare Cinema

“The price of admission is your life”

2018 Horror 1h 59m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

A series of down-on-their-luck individuals enter the decrepit and spine-chilling Rialto theater, only to have their deepest and darkest fears brought to life on the silver screen by The Projectionist – a mysterious, ghostly figure who holds the nightmarish futures of all who attend his screenings.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Nightmare Cinema?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ryuhei Kitamura · Mick Garris · David Slade

Written by

Sandra Becerril · Richard Christian Matheson · David Slade · Lawrence C. Connolly

Mickey Rourke

Mickey Rourke

The Projectionist

Sarah Elizabeth Withers

Sarah Elizabeth Withers

Samantha

Elizabeth Reaser

Elizabeth Reaser

Helen

Zarah Mahler

Zarah Mahler

Anna

Faly Rakotohavana

Faly Rakotohavana

Riley

Maurice Benard

Maurice Benard

Father Benedict

Mariela Garriga

Mariela Garriga

Sister Patricia

Court is in session

Put Nightmare Cinema on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.