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Circus of Horrors

Circus of Horrors

Horror · Crime · 1960

A plastic surgeon and his nurse join a bizarre circus to escape from the police. Here he befriends deformed women and transforms them for his "Temple of Beauty". However, when they threaten to leave, they meet with mysterious accidents.

Movie details

Circus of Horrors

“Spectacular Towering Terror! One man's lust...made men into beasts, stripped women of their souls!”

1960 Horror · Crime 1h 28m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

A plastic surgeon and his nurse join a bizarre circus to escape from the police. Here he befriends deformed women and transforms them for his "Temple of Beauty". However, when they threaten to leave, they meet with mysterious accidents.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Circus of Horrors?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Sidney Hayers

Written by

George Baxt

Anton Diffring

Anton Diffring

Dr. Schuler

Erika Remberg

Erika Remberg

Elissa Caro

Yvonne Monlaur

Yvonne Monlaur

Nicole Vanet

Donald Pleasence

Donald Pleasence

Vanet

Jane Hylton

Jane Hylton

Angela

Kenneth Griffith

Kenneth Griffith

Martin

Conrad Phillips

Conrad Phillips

Inspector Arthur Ames

Court is in session

Put Circus of Horrors on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.