“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

Death Note Relight 1: Visions of a God
TV Movie · Crime · Drama · 2007
When rogue shinigami Ryuk leaves his Death Note in the human world, he has no idea how far the one who finds it will take his new-found power. With the Death Note in hand, brilliant high school student Light Yagami vows to rid the world of evil. A recap of Death Note episodes 1–26, with alternate footage.
Death Note Relight 1: Visions of a God
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.9 / 10
Community rating
When rogue shinigami Ryuk leaves his Death Note in the human world, he has no idea how far the one who finds it will take his new-found power. With the Death Note in hand, brilliant high school student Light Yagami vows to rid the world of evil. A recap of Death Note episodes 1–26, with alternate footage.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Death Note Relight 1: Visions of a God?
The Auteur Devotee
“You watch the director, not the movie.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Tetsuro Araki
Written by
Toshiki Inoue · Shouji Yonemura · Yasuko Kobayashi
Put Death Note Relight 1: Visions of a God on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.






