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Death Note

Death Note

Fantasy · Mystery · Thriller · 2006

Light Yagami finds the "Death Note," a notebook with the power to kill, and decides to create a Utopia by killing the world's criminals, and soon the world's greatest detective, "L," is hired to find the mysterious murderer. An all out battle between the two greatest minds on earth begins and the winner will control the world.

Movie details

Death Note

“The battle of wits begins. Whose side are you on?”

2006 Fantasy · Mystery · Thriller 2h 6m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Light Yagami finds the "Death Note," a notebook with the power to kill, and decides to create a Utopia by killing the world's criminals, and soon the world's greatest detective, "L," is hired to find the mysterious murderer. An all out battle between the two greatest minds on earth begins and the winner will control the world.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Death Note?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Shusuke Kaneko

Written by

Tetsuya Oishi

Tatsuya Fujiwara

Tatsuya Fujiwara

Light Yagami

Kenichi Matsuyama

Kenichi Matsuyama

L

Asaka Seto

Asaka Seto

Naomi Misora

Shigeki Hosokawa

Shigeki Hosokawa

Raye Iwamatsu

Erika Toda

Erika Toda

Misa Amane

Shunji Fujimura

Shunji Fujimura

Watari

Takeshi Kaga

Takeshi Kaga

Soichiro Yagami

Court is in session

Put Death Note on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.