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Rage

Rage

Mystery · Drama · Thriller · 2016

A man brutally murders a married couple and leaves the word “ikari” (“rage”) written with their blood. The killer undergoes plastic surgery and flees. At three different locations in Japan, a male stranger appears. People suspect that the stranger might be the murderer.

Movie details

Rage

2016 Mystery · Drama · Thriller 2h 22m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

A man brutally murders a married couple and leaves the word “ikari” (“rage”) written with their blood. The killer undergoes plastic surgery and flees. At three different locations in Japan, a male stranger appears. People suspect that the stranger might be the murderer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Rage?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Death Note

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Fantasy · 2006

Light Yagami finds the "Death Note," a notebook with the power to kill, and decides to create a Utopia by killing the world's criminals, and soon the world's greatest detective, "L," is hired to find the mysterious murderer. An all out battle between the two greatest minds on earth begins and the winner will control the world.

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Black Butterfly

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Where it lives

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Names above the title

The people responsible.

Directed by

Sang-il Lee

Written by

Sang-il Lee · Shuichi Yoshida

Ken Watanabe

Ken Watanabe

Yohei Maki

Mirai Moriyama

Mirai Moriyama

Shingo Tanaka

Aoi Miyazaki

Aoi Miyazaki

Aiko Maki

Satoshi Tsumabuki

Satoshi Tsumabuki

Yuma Fujita

Go Ayano

Go Ayano

Naoto Onishi

Suzu Hirose

Suzu Hirose

Izumi Komiya

Kenichi Matsuyama

Kenichi Matsuyama

Tetsuya Tashiro

Court is in session

Put Rage on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.