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Taboo

Taboo

Drama · History · Thriller · 1999

Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.

Movie details

Taboo

“How am I insane?”

1999 Drama · History · Thriller 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Taboo?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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ICHI

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Where it lives

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Names above the title

The people responsible.

Directed by

Nagisa Ōshima

Written by

Nagisa Ōshima

Takeshi Kitano

Takeshi Kitano

Toshizo Hijikata

Ryuhei Matsuda

Ryuhei Matsuda

Sozaburo Kano

Tadanobu Asano

Tadanobu Asano

Hyozo Tashiro

Yōichi Sai

Yōichi Sai

Isami Kondo

Shinji Takeda

Shinji Takeda

Okita Sōji

Susumu Terajima

Susumu Terajima

Spy

Tomorowo Taguchi

Tomorowo Taguchi

Samurai Tojiro Yuzawa

Court is in session

Put Taboo on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.