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Death Note: The Last Name

Death Note: The Last Name

Fantasy · Thriller · Mystery · 2006

In the second installment of the Death Note film franchise, Light Yagami meets a second Kira and faithful follower Misa Amane and her Shinigami named Rem. Light attempts to defeat L along with Teru Mikami (a Kira follower) and Kiyomi Takada (another Kira follower) but in the end will Light win? or will a Shinigami named Ryuk make all the difference in Light's victory or his ultimate death?

Movie details

Death Note: The Last Name

“The last name to be written in the DEATH NOTE... Whose name will it be?”

2006 Fantasy · Thriller · Mystery 2h 20m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

In the second installment of the Death Note film franchise, Light Yagami meets a second Kira and faithful follower Misa Amane and her Shinigami named Rem. Light attempts to defeat L along with Teru Mikami (a Kira follower) and Kiyomi Takada (another Kira follower) but in the end will Light win? or will a Shinigami named Ryuk make all the difference in Light's victory or his ultimate death?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Death Note: The Last Name?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Death Note

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Names above the title

The people responsible.

Directed by

Shusuke Kaneko

Written by

Tetsuya Oishi

Tatsuya Fujiwara

Tatsuya Fujiwara

Light Yagami

Kenichi Matsuyama

Kenichi Matsuyama

L

Erika Toda

Erika Toda

Misa Amane

Nana Katase

Nana Katase

Kiyomi Takada

Magi

Magi

TV Director

Sakura Uehara

Sakura Uehara

Saeko Nishiyama

Takeshi Kaga

Takeshi Kaga

Soichiro Yagami

Court is in session

Put Death Note: The Last Name on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.