“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Kizumonogatari Part 2: Nekketsu
Animation · Fantasy · Mystery · 2016
Koyomi Araragi was turned into a vampire by the legendary vampire, Kiss-shot Acerola-orion Heart-under-blade, and he needs to revive the weakened vampire back to her complete form to return to being human again. The only way for Koyomi to achieve his goal is to fight the three vampire hunters – Dramaturgy, Episode and Guillotinecutter.
Kizumonogatari Part 2: Nekketsu
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
8.0 / 10
Community rating
Koyomi Araragi was turned into a vampire by the legendary vampire, Kiss-shot Acerola-orion Heart-under-blade, and he needs to revive the weakened vampire back to her complete form to return to being human again. The only way for Koyomi to achieve his goal is to fight the three vampire hunters – Dramaturgy, Episode and Guillotinecutter.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Kizumonogatari Part 2: Nekketsu?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Tatsuya Oishi · Akiyuki Shinbo
Written by
Yukito Kizawa · Muneo Nakamoto
Put Kizumonogatari Part 2: Nekketsu on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






