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Twelfth Night

Twelfth Night

Drama · Comedy · Romance · 1996

Shakespeare's comedy of gender confusion, in which a girl disguises herself as a man to be near the count she adores, only to be pursued by the woman he loves.

Movie details

Twelfth Night

“Never send a boy to do a man's job, especially if he's a girl.”

1996 Drama · Comedy · Romance 2h 14m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Shakespeare's comedy of gender confusion, in which a girl disguises herself as a man to be near the count she adores, only to be pursued by the woman he loves.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Twelfth Night?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Trevor Nunn

Written by

Trevor Nunn

Helena Bonham Carter

Helena Bonham Carter

Olivia

Richard E. Grant

Richard E. Grant

Sir Andrew Aguecheek

Nigel Hawthorne

Nigel Hawthorne

Malvolio

Ben Kingsley

Ben Kingsley

Feste

Mel Smith

Mel Smith

Sir Toby Belch

Imelda Staunton

Imelda Staunton

Maria

Toby Stephens

Toby Stephens

Orsino

Court is in session

Put Twelfth Night on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.