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Drive Me Crazy

Drive Me Crazy

Romance · Comedy · Drama · 1999

Nicole and Chase live next door to each other but are worlds apart. However, they plot a scheme to date each other in order to attract the interest and jealousy of their respective romantic prey. But in the mist of planning a gala centennial celebration, Nicole and Chase find that the one they always wanted was closer than they ever thought.

Movie details

Drive Me Crazy

“The last guy she wants is the only one she needs.”

1999 Romance · Comedy · Drama 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Nicole and Chase live next door to each other but are worlds apart. However, they plot a scheme to date each other in order to attract the interest and jealousy of their respective romantic prey. But in the mist of planning a gala centennial celebration, Nicole and Chase find that the one they always wanted was closer than they ever thought.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Drive Me Crazy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John Schultz

Written by

Rob Thomas

Melissa Joan Hart

Melissa Joan Hart

Nicole Maris

Adrian Grenier

Adrian Grenier

Chase Hammond

Susan May Pratt

Susan May Pratt

Alicia DeGasario

Kris Park

Kris Park

Ray Neelay

Ali Larter

Ali Larter

Dulcie

Mark Webber

Mark Webber

David Ednasi

Gabriel Carpenter

Gabriel Carpenter

Brad Seldon

Court is in session

Put Drive Me Crazy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.