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Arthur 3: The War of the Two Worlds

Arthur 3: The War of the Two Worlds

Animation · Adventure · Fantasy · 2010

With Maltazard now seven feet tall and Arthur still two inches small, our hero must find a way to grow back to his normal size and stop the Evil M once and for all, with the help of Selenia and Betameche.

Movie details

Arthur 3: The War of the Two Worlds

“The final...”

2010 Animation · Adventure · Fantasy 1h 41m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

With Maltazard now seven feet tall and Arthur still two inches small, our hero must find a way to grow back to his normal size and stop the Evil M once and for all, with the help of Selenia and Betameche.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Arthur 3: The War of the Two Worlds?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Luc Besson

Written by

Luc Besson · Céline Garcia

Freddie Highmore

Freddie Highmore

Arthur Montgomery

Mia Farrow

Mia Farrow

Granny

Robert Stanton

Robert Stanton

Armand

Penny Balfour

Penny Balfour

Rose Montgomery

David Gasman

David Gasman

The Mechanic

Antony Hickling

Antony Hickling

Douglas

Dashiell Eaves

Dashiell Eaves

Simon

Court is in session

Put Arthur 3: The War of the Two Worlds on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.