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The Pagemaster

The Pagemaster

Family · Fantasy · Animation · 1994

Rich knows a lot about accidents. So much so, he is scared to do anything that might endanger him, like riding his bike, or climbing into his treehouse. While in an old library, he is mystically transported into the unknown world of books, and he has to try and get home again.

Movie details

The Pagemaster

“All the adventure your imagination can hold.”

1994 Family · Fantasy · Animation 1h 15m

Critical arithmetic

The consensus, allegedly.

IMDb

6.2 / 10

27.1K votes

Rotten Tomatoes

19 %

Tomatometer

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Rich knows a lot about accidents. So much so, he is scared to do anything that might endanger him, like riding his bike, or climbing into his treehouse. While in an old library, he is mystically transported into the unknown world of books, and he has to try and get home again.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Pagemaster?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Joe Johnston · Pixote Hunt

Written by

Ernie Contreras · David Kirschner · David Casci

Macaulay Culkin

Macaulay Culkin

Richard Tyler

Christopher Lloyd

Christopher Lloyd

Mr. Dewey

Whoopi Goldberg

Whoopi Goldberg

Fantasy (voice)

Patrick Stewart

Patrick Stewart

Adventure (voice)

Frank Welker

Frank Welker

Horror (voice)

Leonard Nimoy

Leonard Nimoy

Dr. Jekyll / Mr. Hyde (voice)

Ed Begley Jr.

Ed Begley Jr.

Alan Tyler

Court is in session

Put The Pagemaster on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.