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Momo

Momo

Family · Fantasy · Adventure · 2025

Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.

Movie details

Momo

2025 Family · Fantasy · Adventure 1h 33m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Momo?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Christian Ditter

Written by

Christian Ditter

Alexa Goodall

Alexa Goodall

Momo

Martin Freeman

Martin Freeman

Master Hora

Laura Haddock

Laura Haddock

Jackie

Araloyin Oshunremi

Araloyin Oshunremi

Gino

David Schütter

David Schütter

Brutus

Claes Bang

Claes Bang

Judge

J

Jennifer Amaka Pettersson

Liliana

Court is in session

Put Momo on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.